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Hindi Opinion Article
Biomusical Engineering and Music
Alexander J. Graur*
University of Torino, Italy
- Corresponding Author:
- Alexander J. Graur
University of Torino, Italy
Tel: +39 011 670 6111
E-mail: granimus@yahoo.com
Received date: August 8, 2015 Accepted date: January 7, 2016 Published date: January 11, 2016
Citation: Graur AJ (2016) Biomusical Engineering and Music. J Biomusic Eng S1:001. doi:10.4172/2090-2719.S1-001
Copyright: ©2016 Graur AJ. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited
Abstract
In further presenting the mission of our journal to the colleagues interested to collaborate I think it is useful to stress the principle and the importance of teaming, when it comes to biomusical engineering. An encyclopedically knowledge like that of Pico della Mirandola was possible only in Renaissance times. In todays’ world the knowledge implies far much more notions and methods regarding every aspect of our life; one cannot be a professional figure in more than one specialty. Hence the need to collaborate with other professionals specializing in different sectors of science. A common basic knowledge of all the disciplines implied is logical; but each team member should bring the personal contribution mostly in her/his own main field of research. We need scientists and technicians specializing in biology, neuroscience, medicine, psychiatry, physics, along with sound engineers, audio lab technicians, psychoacoustic specialists and many more alike.
